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The exhibition In Motion. Vehicles and Carriages of Patrimonio Nacional is an extraordinary opportunity to explore a collection of exceptional value but one that is little known to the general public, as the exhibits are stored in warehouses or locations that are difficult to access.

The Royal Collections include seventy-six horse-drawn carriages, ten automobiles and six sedan chairs, in addition to a series of items related to travel and processions of great historical and cultural importance. For these exhibition, seven coaches, five small vehicles and two automobiles have been selected.

The exhibition and catalogue explore different topics related to journeys by the monarchs and the use of carriages at court, an essential element of representation of the monarchs and the aristocracy. They also explain technical and ornamental developments in highly specialised trades that were of great importance in the past.

This project seeks to bring the world of carriages to a wider public. For this reason, the coaches are exhibited alongside paintings, tapestries, trunks, uniforms and other objects that provide additional visual or documentary information, and enable a better understanding of how they were used and in which contexts.

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  • Opening Hours

    Monday to Saturday 10am to 8pm, Sundays and holidays 10am to 7pm

  • En Movimiento / In Motion

  • Admission

    Cuesta de la Vega (admission to Temporary Exhibition only) Plaza de la Armería (admission to Royal Collections Gallery and Temporary Exhibition)

  • Organised by

    Patrimonio Nacional

  • Sponsored by

    Fundación Banco Santander

Introduction

The exhibition is divided into four different sections and concludes with an audiovisual presentation in an adjoining hall that explains some of the uses these carriages were put to throughout history.

This exhibition takes visitors on a chronological and thematic journey of the history of the carriage in Spain, and its role in the outdoors representation of the monarchy from the 16th to the 20th century.

These vehicles were made by highly specialised craftsmen who were experts in combining technical perfection with a great deal of creativity, and had an eye for beauty. These carriages are, therefore, works of art that also provide comfort and safety for their passengers.

The exhibition discusses various topics related to the journeys made by the monarchs and the use of carriages at court. For this purpose, it includes a significant number of paintings and other objects which provide visual or documentary information essential to understanding who used these horse-drawn carriages and how.

Travelling in Comfort

The modern European states were consolidated in the 16th century, and the monarchy had a key role in exercising political power. Kings and Queens had to travel frequently to control and enforce their rule over vast territories, within a context of multiple conflicts. Marriage alliances were arranged to consolidate the power of certain dynasties, and for this purpose, royal persons or their representatives were often required to make long journeys.

The 16th and 17th centuries witnessed the development of the carriage, not only as a more complex means of transport to make journeys more bearable, but also as a result of changes in the etiquette governing the relationship between monarchs and their subjects.

Alongside these novelties, sedan chairs continued to be used, above all, by noblewomen and queens. Men however continued to ride on horseback, an activity reserved for noblemen and sovereigns.

Carriages for Ceremonies at Court

The role of carriages in the symbolic representation of monarchical power reached its moment of splendour at the Baroque courts. The royal court was both a political reality and a cultural and social construct. Within this scenario built around the monarchs and royal power, there were many social groups with different interests and functions: the aristocracy, ministers, clergy, gentry, servants, secretaries, ambassadors and a long list of etcetera's. Very strict codes of conduct consolidated what was a highly hierarchical social structure.

Within the city and in its buildings, squares and avenues, an entire staging of monarchical representation was played out. It involved holding ceremonies, festivals and solemn entrances, with carriages in a highly visible role as reflections of the power and status of their owners. 

The use of horse-drawn carriages increased during the reign of Philip III (1598-1621) but their presence in cities underwent a significant expansion in the second half of the 17th century and throughout the 18th century across Europe.

The 19th Century: the Speeding Up of Technological Innovation

During the last third of the 18th century, a number of technical innovations had emerged in England and spread throughout Europe. Improvements in suspensions with the introduction of S-shaped steel leaf springs and steel lances that increased their resistance, helped to boost the development of vehicles and coaches throughout the 19th century.

This period witnessed significant advances in vehicle design, such as the introduction of coiled and leaf springs and wheels with one-piece rims. They led to improvements in vehicle safety and comfort, as well as enhanced aesthetics. 

During this period, the older horse-drawn carriages of the Royal Stables were upgraded or replaced by more modern ones, but after the Peninsular War and the departure of Charles IV, there were few carriages that were fit for service. On the occasion of Ferdinand VII’s wedding with his fourth and last wife, Maria Christina of the Two Sicilies, three carriages were commissioned from the Madrid manufacturers Fernando Rodríguez, Julián González and F. Durán, attesting to their high levels of excellence and expertise: the Bronze Landau, the Mahogany Coach and the Royal Crown Carriage.

During the 19th century, the middle-class adopted many of the activities formerly reserved for nobles and royalty. Outdoor activities such as hunting, riding in horse-drawn carriage, and sports became increasingly popular amongst wider sections of society. Carriages diversified, and various types emerged in response to new uses: the break carriage and its numerous variants, the "char-à-bancs", victorias, barouches, etc. It was also during this period that children's traps, usually pulled by a dog, ram or pony, gained in importance and popularity. We should also mention the use of sledges in winter, vehicles that had already been in use for centuries.

The advent of the railways and later, the automobile in the 20th century, relegated animal-drawn vehicles to agricultural activities and in the case of carriages, to increasingly specific uses of symbolic importance.

Cutting-Edge Technology in the 20th Century

During the reign of Alfonso XIII (1902-1931), coaches continued to represent the monarchy and were used in ceremonies such as the king’s wedding. They also continued to be used for the presentation of the credentials of new ambassadors, a practice that has been maintained to this day, following the general rules of etiquette established in the 18th century.

However, the automobile gradually established itself as the main means of transport. Alfonso XIII had been interested in motor racing as a sporting activity from a very young age. He played an active role in promoting the Spanish automobile industry, placing orders with the Elizalde workshops as well as being involved in the development of the Hispano-Suiza company, which built the "Alfonso XIII" model in his honour between 1911 and 1914.

Unfortunately, no cars from that period are held by Patrimonio Nacional, but it does maintain some important vehicles from the history of the automobile, such as the two Mercedes-Benz built between 1939 and 1942, usually exhibited in the Historic Hall of the Royal Guard in El Pardo, and where visitors can also see historical models of Rolls Royce, Cadillac and Harley Davidson motorbikes used in cavalcades to receive Heads of State or for solemn events of great importance.

Lenders and collaborators: Museo Nacional del Prado y Sala Histórica de la Guardia Real (El Pardo)

Curator: María Isabel Rodríguez Marco

Head of Exhibitions and Publications Department: Carmen Cabeza Gil-Casares

Temporary Exhibitions Coordinator: Isabel Morán Suárez

Technical Coordinator: Ana María Castañeda González

Museographic Design: El taller GC

Museographic Installation: Arteria Logística del Arte S.L.

Transport: Unidad de Traslados de Patrimonio Nacional, SIT

Insurance: Es Arte Deleitosa, S.L. Seguros Axa Art Versicherung AG Sucursal España

Audiovisual production: Arena Producción Audiovisual, S.L.

Edited by: Patrimonio Nacional

Publications Coordinator: María Dolores López Marín

Editorial Design and Desktop Publishing: This Side Up

Banco Santander